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Stealing History: Tomb Raiders, Smugglers, and the Looting of the Ancient World, by Roger Atwood
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Roger Atwood knows more about the market for ancient objects than almost anyone. He knows where priceless antiquities are buried, who is digging them up, and who is fencing and buying them. In this fascinating book, Atwood takes readers on a journey through Iraq, Peru, Hong Kong, and across America, showing how the worldwide antiquities trade is destroying what's left of the ancient sites before archaeologists can reach them, and thus erasing their historical significance. And it is getting worse. The discovery of the legendary Royal Tombs of Sipan in Peru started an epidemic. Grave robbers scouring the courntryside for tombs--and finding them. Atwood recounts the incredible story of the biggest piece of gold ever found in the Americas, a 2,000-year-old, three-pound masterpiece that cost one looter his life, sent two smugglers to jail, and wrecked lives from Panama to Pennsylvainia. Packed with true stories, this book not only reveals what has been found, but at what cost to both human life and history.
- Sales Rank: #343895 in Books
- Published on: 2006-01-10
- Released on: 2006-01-10
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .76" w x 6.14" l, 1.20 pounds
- Binding: Paperback
- 368 pages
From Publishers Weekly
As the destruction from the war in Iraq has demonstrated most recently, a country's antiquities are never safe from marauding looters and greedy collectors who trawl the black market. In a study that is part detective story and part history lesson, Atwood, an expert on the antiquities market who writes for ARTnews and Archaeology, focuses on one incident as a case study of the insidious effects of the illicit antiquities trade. In 1987, a group of grave robbers working at a burial mound near the village of Sip�n in northern Peru uncovered a mausoleum of Moche rulers (the Moche were an innovative indigenous tribe) with a rich cache of gold and silver artifacts. Word soon spread to international buyers, who responded favorably, and prolonged looting began. By the time the Peruvian police intervened three weeks later, much damage had already been done. Walter Alva, a native Peruvian and the site's chief archeologist, uncovered many more undamaged tombs and worked tirelessly to preserve this ancient legacy, bravely confronting looters and endeavoring to establish laws to prevent museums form accepting stolen goods. The case raised international awareness of the illegal antiquities trade. Atwood's ability to bring a story dramatically to life and his keen interest in stemming the illegal antiquities trade makes this an important book for anyone interested in archeology, preservation or the potentially tangled provenance of works they love. B&w illus., one map.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Writing for magazines such as ARTnews, Atwood is an expert on the global traffic in stolen archaeological objects. His meticulous book tracks his investigation of one such object, a gold ornament cast by the Moche culture of pre-Columbian Peru. But in a prelude, Atwood recounts the night he accompanied, with their permission, Peruvian grave robbers at work. Although sympathetic to their destitution, Atwood is appalled at their obliteration of a site's archaeological value. Of course, the demand for these objects emanates from the acquisitive appetites of museums and wealthy collectors, who appear in the course of Atwood's account of the Moche "backflap." Plundered by grave robbers in 1987, it was smuggled into the U.S. by a corrupt Panamanian diplomat and seized in an FBI sting in 1997. Atwood's high-velocity, true-crime narrative immediately hooks readers while also informing them about the international antiquities business. A case study of the sordid trade, Atwood's stern admonition to the art world to reform, before archaeological knowledge becomes irretrievable forever, deserves a hearing. Gilbert Taylor
Copyright � American Library Association. All rights reserved
Review
“Roger Atwood's Stealing History presents a compelling, thorough, and firsthand investigation of the many facets of the international trade in looted archaeological artifacts . . . Atwood's volume is . . . a most welcome addition to the literature . . . [He]. . . does a significant service by adding to our understanding of the operation of the international market in archaeological artifacts and its disastrous consequences for the preservation of archaeological sites . . . Atwood's book make a significant contribution to the scholarship on this subject, but it is accessible to the archaeologist, legal expert, and general public alike. The legal information presented is accurate and provides a useful guide to the underlying issues. This book contributes more than any other publication in more than 30 years to an understanding of the devastation to cultural heritage caused by site looting and to the search for solutions.” ―Patty Gerstenblith, American Journal of Archaeology
“A perfect detective story . . . exposes quite a few skeletons in the cupboards of respected American institutions . . . Yet Atwood not only describes the disease, he tries to find a cure. He proposes a detailed program of international and domestic legislation to stop gravediggers, smugglers, and their rich patrons.” ―The Washington Post
“Riveting . . . takes readers on a thorough investigation from war-ravaged Iraq to northern Peru.” ―The Chicago Sun-Times
“Atwood gained extraordinary access to actors at every level of the illicit trade in antiquities . . . Packed with detail.” ―The Boston Globe
“This vividly written, well-researched book is a great primer for anyone interested in the ongoing struggle by archaeologists, law enforcement officials, and national governments to curb the illegal antiquities trade.” ―Archaeology Magazine
“Every archaeologist's worst nightmare . . . is recorded with horrid fascination by journalist Roger Atwood.” ―Discover Magazine
“Prodigiously researched . . . eloquent . . . Atwood's aim is not merely to entertain, and he uses the case of the Sip�n and the Peruvian antiquities trade to explore the global problem of looting and the forces that sustain it.” ―Hugh Eakin in ARTnews
“Atwood sees the antiquities market as a destructive extraction industry, obliterating the record of entire civilizations . . . even the most respected museums are implicated.” ―Wired
“A well-written book about an important issue in the world of art and history.” ―St. Louis Post-Dispatch
“A fascinating book, full of life and color . . . shines a spotlight on the shady world of looting, smuggling and trading in archaeological artifacts around the globe.” ―National Catholic Reporter
“A highly readable expos� that reveals in shocking detail the extent of the robbing, the vast sums of money involved and the market conditions that fuel the increasing demand for stolen artifacts.” ―Tucson Citizen
“Compelling . . . The characters of this drama are vividly drawn . . . Atwood's detailed accounts of law enforcement's failing at most levels are disturbing . . . [a] valuable book.” ―The Art Newspaper
“Dense with information but highly readable . . . Atwood examines in detail and with painstaking documentation how contemporary grave robbers, antiquities dealers, collectors, museums, and archaeologists are complicit in a system that robs cultures of their histories.” ―The New Mexican (Santa Fe)
“Atwood tackles the looting of ancient archeological sites in a narrative that reads like a combination of Indiana Jones and a spy thriller . . . Although he begins with a look at the looting of ancient sites in Iraq since the fall of Saddam Hussein, most of his discussion centers around the village of Sip�n in Peru, where local looters stumbled across the remains of several kings of the Moche culture and their gold artifacts. Atwood traces the sale of these artifacts, the attempts of the Peruvian government to retrieve them, the involvement of the American government, and ultimately the construction of a museum to hold the finds that have been recovered . . . Stealing History is an eye-opening and engrossing look into the dark world of looting and smuggling, and the incredible losses to our knowledge of the Moche culture and other ancient groups . . . It is a fascinating read.” ―Marcia Amidon L�sted, Academia
“Atwood's book is a compelling must-read. Thoroughly engrossing and meticulously researched and reported, it combines first-rate detective work with bracing scientific discovery. The result is stunning: The author strips away the veil of respectability that has cloaked so much of the antiquities trade for centuries. Atwood leads us where no author has gone before, into the depths of ancient tombs where gold and textiles are stolen to order, into the international smuggling rings, and into the homes and galleries of the collectors and curators who deny all wrongdoing. You will be outraged. Atwood demonstrates that nothing less than the world's cultural heritage is at sake here, not least by showing us what can be done to stop this appalling, macabre trade. Enthralling, enriching, and even enabling, this book is an unforgettable journey across time, continents, and cultures. Read it--you will never look at a museum exhibit comfortably again.” ―Phillip Wearne, author of Return of the Indian: Conquest and Revival in the Americas and co-author of Tainting Evidence: Inside the Scandals at the FBI Crime Lab
“Stealing History is an immensely compelling and disturbing tale of greed, destruction, and woe. With an unflinching eye for detail, Atwood explores the subterranean world of the antiquities trade, from the cadaver-littered pits of professional grave robbers in Sip�n to the glittering collections of wealthy buyers in the world's capitals. Graphically charting the seamy traffic that is devouring the world's most important archaeological sites, Stealing History is the first book I've read that really does this subject justice. It's a must read.” ―Heather Pringle, author of The Mummy Congress: Science, Obsession, and the Everlasting Dead
“A disturbing tale of greed and cultural demolition, robust in the telling, scorching in its indictment.” ―Kirkus Reviews
“Atwood's high-velocity, true-crime narrative immediately hooks readers while also informing them about the international antiquities business . . . meticulous . . . a case study of the sordid trade.” ―Booklist
“Atwood's ability to bring a story dramatically to life . . . makes this an important book for anyone interested in archaeology, preservation, or the potentially tangled provenance of works they love.” ―Publishers Weekly
“[A] relevant and important book on plunder in Peru.” ―International Journal of the Classical Tradition
Most helpful customer reviews
0 of 0 people found the following review helpful.
fact filled fun
By Patricia A. Andrus
It was a decent read- obviously written before scummy maggots destroyed nimrod in the name of Allah, but a decent read.
9 of 10 people found the following review helpful.
Compelling
By Expectant
This is just what good non-fiction should be: fascinating, un-put-downable, and important. Not only did I learn about how the art world is allowing the great treasures of history be destroyed or lost to private collectors. This is effectively depriving the world of its history. I recommend this book not just for anyone interested in art and artifacts--though you will learn about it--but for anyone who wants to read an important book about the way we're letting the ability to study our past and our heritage go to ruin. A really good read!
9 of 9 people found the following review helpful.
Tomb Raiders, Smugglers and the Looting of the Ancient World
By E. M. Dawson
Not quite Laura Croft or Indiana Jones, this book follows the fate of several Peruvian sites and the artifacts taken from them. The focus is as much on the conflicts between the commercial antiquities trade and the archaeologists who wish to study the sites intact (taken to the extreme in actually reburrying sites as to not attract the attention of looters). Not so surprisingly the Museums operate somewhere between - benefiting from the scholarship of the archelogists and also from the tomb raiders who supply them with items for their collections (not directly of course). Well told tales of FBI stings, government policies based more on diplomatic pressures than the "saving" of cultural records and in infighting between the Peruvian archeologist Walter Alva and what seems like the world. On the most basic level, this is about the destruction and loss of history in the quest of money. The book ends with a list of suggestions for what can be done to save these sites from destruction, but I still was left with questions. Some of the measures taken by the government seems a little broad and sweeping. It left me with many questions if government intervention is the best way to stop the flow of illegal artifacts. Although the author seems to show some preference to the side of Alva and the archelogists, he does speak and interview people from all parts of the community, from the actual people who rob the graves and archelogical sites to the people who buy these artifacts either for profit or art. The introduction wrote about Iraq right after the fall of Saddam Hussein. The looting of museums and archelogical sites was immediate. I appreciated the detail of the rest of the book and its covering of covering one subject (Peru and more specifically Sipan) when it would have been very easy to make this a survey and less personal. You get a great sense of the individual personalities involved.
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