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This first book by Tom Wolfe is a gathering of his best work where the author takes a sharp-eyed look at the American scene, and zeroes in on the new, exotic forms of status-seeking - social, cultural, and otherwise - that were flourishing at the time across the country from New York to Los Angeles.
A central notion threading through Mr. Wolfe's rich assortment of observations is that recent years have seen the emergence of a good many intriguing art forms and styles of life, having nothing at all to do with the 'elite' culture of the past. Vulgar and common to the Establishment, they really express the ordinary American's sense of form and beauty. The Twist, The Beatles, the Surfers, the Bouffant Hairdos, the Drag Racers are all expressions of this exuberant new culture, which might be called Postwar Teenage. The epitome of this pop culture is the neon city of Las Vegas.
Wolfe also observes the activities of older culture-makers, such as investigating the way the 'upper crust' frantically seeks new forms to preserve its statuts against the 'common man', whether in raising children, fashion, nightlife, or 'art-worship.'
Throughout, Wolfe's eye for the crucial detail is startling, his ear for the speech of all sorts of people uncanny, his wit and view of life entirely original .
- Sales Rank: #830797 in Books
- Published on: 1965
- Number of items: 2
- Binding: Hardcover
- 339 pages
Most helpful customer reviews
8 of 8 people found the following review helpful.
Far out, Tom Wolfe! Real buttonholes!
By Ricardo Mio
When I was in college, the heroes of the journalism department were Vietnam reporters David Halberstam and Neil Sheehan, and the so-called "New Journalism" reporters: Hunter Thompson, Gay Talese, and Tom Wolfe. Today, the best known is Tom Wolfe, thanks to books like "The Right Stuff." His first book was "The Kandy-Kolored Tangerine-Flake Streamline Baby" published in 1965. It's an anthology of his first magazine articles, that appeared in Esquire and other periodicals.
The magazine article that first attracted attention was "There goes [Vroom! Vroom!] That Kandy-Kolored Tangerine-Flake Streamline Baby" about the California custom car culture. At the time, Wolfe didn't know a carburetor from a muffler, being a New Yorker without a car. However, a week in Southern California changed all that. And how. He quickly spotted the best and the brightest of the customizers was a goateed beatnik-type named "Big Daddy" Ed Roth. Roth's cross-town rival George Barris built far more custom cars than Roth, but Roth was the wild visionary--highly-intelligent, articulate, and a little crazy. Wolfe wrote about Roth with insight and understanding that the trade magazines like "Hot Rod," "Car Craft" and "Rod and Custom" apparently lacked.
It was the same thing with "The Last American Hero." Wolfe went down to North Carolina, spent a week with good-old boy NASCAR driver Junior Johnson, and returned with an insight into Johnson and Southern-style stock car racing that completely eluded magazines that covered the sport, among them "Car and Driver," and "Motor Trend."
Wolfe wrote about fashion, too. In "The Secret Vice," he told how Lyndon Johnson woke up one morning and realized that John Kennedy was not only smarter than he, but better dressed ("He dresses like some British ambassador"). Johnson zeroed in on the sleeve of Kennedy's custom-made suits, and realized the button holes on the sleeve were real: they actually buttoned and unbuttoned. The buttons on the sleeve of Johnson's off-the-rack Sears and Roebuck suits, on the other hand, were sewn on top of the fabric, like some decoration. Old Lyndon wanted real buttonholes! He flew to London (where Kennedy's suits were custom-made), walked into the first tailor he could find, and said, "Make me a suit with real buttonholes! I want to look like a British ambassador!"
All the first great magazine articles are here, including "The Fifth Beatle" about brash New York DJ Murray the K, "The Peppermint Lounge" where the Beatles twisted the night away, "Loverboy of the Bourgeoise" about Cary Grant, "The Marvelous Mouth " about Muhammad Ali, "The New Art Gallery Society," "The Nanny Mafia" and on and on. Classics, everyone. And a delight to read--and reread. As one critic put it, "Tom Wolf is a (blankety-blank) joy."
0 of 0 people found the following review helpful.
Here We Go Again, Hold On To Your Hats Middle America
By propertius
Of course Mr. Wolfe has produced another lapidary exposition on American culture, but what is so refreshing is that there is no condescending in these pieces. Vegas, hot rods, etc. you name it and if it falls under Mr. Wolfe's scrutiny it will be treated, if not with respect, then with understanding. This book like all his works is about AMERICA as only TOM WOLFE can render it and the hell with that early Frenchman, well almost.
If Wolfe seems too keen on displaying his erudite at times almost encyclopedic literary and historical antecedents, it is only because he is and was trained to be that way. Unfortunately his critics on E 43 st in Manhattan will never get over this. But let us face he does write for the common in an uncommon fashion.
1 of 1 people found the following review helpful.
Classic Wolfe...
By homebeforedaylight
If you're a Tom Wolfe fan, this is obviously a must-read. The uninitiated can use this as a fine example of New Journalism.
The strongest pieces are up front, specifically on Las Vegas and the beginnings of stock car racing and the title-piece on kustom car culture in Southern California.
The second half of the book lags a bit as most of the stories about the upper-crust of 1960s New York fall into the we-get-the-idea category. Upon modern reading, some of the material seems dated - winkle-picker boots, etc. - but charmingly so. This is a great snapshot of Wolfe and the send-up style that would come to define him.
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