PDF Ebook The Philosophy of Motion Pictures, by Noël Carroll
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The Philosophy of Motion Pictures, by Noël Carroll
PDF Ebook The Philosophy of Motion Pictures, by Noël Carroll
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Philosophy of Motion Pictures is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation.
- Clearly written and supported with a wealth of examples
- Explores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address
- Sales Rank: #511022 in Books
- Brand: Brand: Wiley-Blackwell
- Published on: 2007-12-26
- Original language: English
- Number of items: 1
- Dimensions: 9.10" h x .76" w x 6.00" l, .84 pounds
- Binding: Paperback
- 256 pages
- Used Book in Good Condition
Review
"As the very first introduction to philosophy of film… The Philosophy of Motion Pictures is ideal for generating new and wider philosophical interest in film as a technologically evolving art form.� …[The book] does beautifully what any good introduction should: It leaves us with a sense of deeper understanding but also an eagerness to continue the conversation." (Katherine Thomson-Jones, Journal of Aesthetics and Art Criticism (vol. 66, issue 4))
"Carroll is arguably the foremost philosopher of film writing today. With the assistance of a handful of other philosophers, he has created a vital and lively philosophical specialty out of a field that was mostly moribund prior to the 1980s. The Philosophy of Motion Pictures deserves study by anyone seriously interested in the philosophy of film. The clarity with which it is written and the broad scope of its concerns make it a book that deserves serious attention and discussion." (British Journal of Aesthetics)
"One of the more insightful scholarly approaches to cinema in recent years. The book explores film…with several interesting and intellectually stimulating and satisfying chapters." (RogueCinema.com)
"Scholarly, detailed and thoroughly-argued … .It is a fine book. Persuasive and informative and will undoubtedly become a key text in cinematic studies." (Metapsychology)
"Carroll provides a useful compendium of the central problems and ruling concepts in contemporary film aesthetics. Recommended." (Choice)
Review
"In this outstanding book, No�l Carroll has brought contemporary philosophy to bear on the status and definition of cinema as art, remarkably enriching the way we think about and experience motion pictures. A masterpiece of clarity and insight."
—Arthur Danto, Columbia University
"This is a beautifully organized, agenda-setting text. With verve and lucidity, Carroll summarizes core debates and advances original accounts of everything from the essence of film to the criteria of evaluation."
—Jesse Prinz, University of North Carolina at Chapel Hill
From the Back Cover
The philosophy of motion pictures has typically been explored in a top-down fashion, whereby the essence of motion pictures is identified – usually understood in terms of photographic film – and every other feature of the film is weighed in relation to that essence.
The Philosophy of Motion Pictures offers a new approach, championing the concept of the moving image in a more freestyle manner. Motion pictures are defined in a way that not only embraces the media in which moving images exist, but which also affirms the variety of purposes they may legitimately serve. Characterizations of key cinematic elements – the shot, the sequence, the erotetic narrative, and its modes of affective address – are not deduced from first principles, but rather from topic to topic in a piecemeal fashion. The result is a more pluralistic review of this emerging field of study than is found in more conventional texts on film theory.
Topics include film as art, medium specificity, defining the moving image, representation, editing, narrative, emotion, and evaluation. These topics reflect the legacy of traditional film theory for the contemporary philosophy of the moving image, while suggesting a new direction for theorizing the motion picture.
Most helpful customer reviews
0 of 1 people found the following review helpful.
If you enjoyed my sentence
By Amazon Customer
This is a fundamental introductory book on motion pictures as seen by a movie enthusiast. Extremely wordy in an attempt to tie various subjects, drawn from an extensive bibliography list, this book strives to provide an erotetic medium for the reader, but leans toward the writer's definition of art. Holy cow! That last sentence describes the book well, but isn't the most exciting thing to read. If you enjoyed my sentence, you'll have a hard time putting this book down. On one hand it's an introductory book, on the other you might have to spend a few days watching the same films the author has to follow along - and keep a dictionary handy. Not a bad book and the author put a lot of work into it; I really had a hard time rating between three star and four. I'm giving it the benefit of the doubt because it does point to further reading on many of the points. If looking to this book for inspiration on your own motion picture ideas, you might end up with the same questions you started with.
0 of 1 people found the following review helpful.
Interesting
By Aur�lie Ahoudji
I am reading this book in a 200 level philosophy class: Philosophy looks at film. The book is very interesting, I am learning some stuff about cinema and art in General that I never used to pay attention to.
1 of 18 people found the following review helpful.
Did not help me financially
By Cody Brotter
I thought with knowledge came power, but I guess "power" meant "Amazon.com receipt" on 1/16/11 (that's when I bought this book). Reading this has yet to translate into satisfactory funding for film ideas I have had. Giving it 5 stars because Carroll finally dared to tackle society's #1 taboo.
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